Unveiling My Debut Exhibition: A Rollercoaster Ride in Milan

Welcome or welcome back to one of the most adrenaline-packed rendezvous on the internet, where you all hope to read about that time I got a photon shock, but instead, I'm here to talk about my performances. This time you're in for a treat; we won't be discussing a performance or the details of my works, but rather my first solo exhibition. It's only been four months since that moment, and yet it feels like a century has passed. So much has happened in the meantime, with new experiences and exhibitions (for those of you who read the articles, we're not talking about anything new).

My exhibition took place in Milan at the "Alveare Culturale" space in Fabbrica del Vapore, throughout June and July. The confirmation to hold it there came in April, logically giving me the summer to plan it leisurely for September. However, as this idea had been lingering in my mind for a while like a persistent nail, I decided to set it for mid-June. As you can imagine, it was a race against time, but that's what made it so exhilarating. Two weeks of intense setup; we had an empty space to completely renovate and set up as we pleased, which means a blank canvas. It was a fantastic team effort, and I'm proud of how we supported each other, creating a sense of harmony and synergy.

Throughout the exhibition, produced by The Crypto Gallery in collaboration with TV Management and curated by Alisia Viola, I was also supported by various sponsors, such as Massimo Ruotolo's initiative, Tokenable, Manualis, and Empatia Studio, and technical partners, specifically the "Holy Club Gallery," created by Beatrice Vigoni and Domenico Fragata, who crafted a splendid installation in collaboration with Adriano Lombardo in the immersive room of the space.

The opening night was the highlight; we had an official presentation with press offices in the morning, while the evening was dedicated to guests. All my friends and colleagues from the industry were there for me that night, around two hundred people, including collectors and gallerists. I confess I had some difficulty containing my excitement; finally, my dream had come true, and having everyone around me to celebrate was the perfect icing on the cake.

Almost none of the exhibited works remained; many understood my message and wanted to take it home. To kick off this journey of mine, I honored those present with one of my performances; it was very intense. This time, I didn't have the gaze of curious onlookers or guests; instead, I had the eyes of friends who have always supported me in my choice. The name of the work was chosen by everyone present that evening through a survey on my social media, and in the end, the consensus was "Nebulissa." A more fitting name couldn't have been chosen.

The whole setup stood for almost a month, and then the time came to close the doors,

with a lot of melancholy but also satisfaction. I want to thank everyone who believed in this project and decided to help us build it, a special thanks to the folks at "Alveare Culturale," a huge hug to Alisia Viola, Riccardo Perillo, and Tommaso Venco, who have supported and continue to work to ensure that this is just the beginning of a great journey.